Installation artist and sculptor Christina Watka creates site-specific works in an ongoing body of work she calls “Murmuration Series”. Using natural materials and ceramic to create systems and networks in site-specific works, the end result resembles clusters, herds, and other organic systems. We go behind the scenes for the installation of recent additions to the “Murmuration Series” to learn more about Watka’s unique process.
“Using a very basic material that comes from the earth, sculpted into a shape that comes from the body, I draw up undulating compositions that discuss fluidity, movement, lightness, and air.”
“The metallic leaf catches the light and playfully bounces it around the work, inviting the viewer to pause.”
“This specific installation mimics the patterns of people walking through the city streets. The installation travels along a 17-foot wall like a constellation or a herd of animals. Some pieces stand alone, some follow a flock, you can also spot pairs coupled off away from the crowd. The tiny porcelain shapes reflect the activity on the street - people coming home from work or families congregating on the edge of a street waiting for the light to turn.”
We learn more about Katrine Hildebrandt-Hussey's recent venture into creating her own natural pigments.
Painter Luke Forsyth shares his influences, notes on process, and thoughts on the enduring presence of chairs in his work.