Originally sourced from his drawing project “Series A”, “Arrangements from Series A #2” is a free-floating and structured arrangement with an intuitive, improvisational sensibility. The work was presented as a special project at PULSE New York in March 2016.
“I’m finding out what rules hold the pieces together, common relationships of form and color, and different strategies to control the elements.”
“I used the repetition of shapes and composition to focus solely on the color.”
“He deconstructs this architecture of color into a simpler lexicon of lines, arches, and curves in an ongoing search of other primary structures, or as he says, “elements”.”
“His work is a calculated process of designating, defining, arranging, and permuting elements and colors with algorithmic thoroughness.”
“His compositional logic is intimately tied to strategies of musical arrangement but exploit the mind’s tendency to complete data.”
We learn more about Katrine Hildebrandt-Hussey's recent venture into creating her own natural pigments.
Painter Luke Forsyth shares his influences, notes on process, and thoughts on the enduring presence of chairs in his work.